New collections from Scottish poet Graham Fulton, due for publication:
Unsaved Messages
from Controlled Explosion Press in 2010. A sequence of photographic images of torn or
obscured posters, political messages and half-reflections which unite with extracts
from old unfinished poems to form something new and complete.
Upside Down Heart
from Controlled Explosion Press towards the end of 2010. A collection of 22 love
poems, featuring full colour illustrations by Becky Bolton.
Black Motel
from Roncadora Press. A collection of 21 dreams. Illustrated. Possibly published in
2010.
The Man who Forgot How to
from Roncadora Press. An illustrated chapbook collection about an obsession with
mortality. Possibly published in 2010.
Open Plan
from Smokestack Books. A full length collection about a 9 to 5 office job.
Due for
publication in 2011.
Equal Night
from Salmon Publishing. A full length collection about grief and the events
before,
during and after the death of a loved one. Due for publication in 2012.
Full Scottish Breakfast
from Red Squirrel Press. A full length collection taking us on a journey from
childhood innocence to adult disillusionment and back again. Possibly published in 2010.
Works in Progress
Photographing Ghosts
A full length collection seeking out the common strands of humanity in every corner of the globe.
The Tarot Cards that Ginsberg Touched
A full length collection about mortality and the illusion of fame and celebrity, amongst other things.
Reclaimed Land
A chapbook collection of prose poems about trying to find a place that no longer exists.
Birdman of Paisley
A full length collection about Graham Fulton's home town in Scotland.
Suspect Novelties
An ongoing series of hand crafted pamphlets.
Chihuahua
In Gabriels pub the match is on
a massive, plasma, wall-mounted screen.
Scotland have won the toss, Nil Nil.
A granny in a pink plastic coat
nudges beside us, takes a sip
of lager from her half pint glass,
tells us that she had to have
her dog put down this afternoon.
Ian thinks at first she said Son;
he may have misheard, the crowd is loud.
Scotland are holding on, we re calm.
I miss him a lot, he was just this big
she says, and demonstrates her claim;
a foot of space between her palms.
We try our best not to catch her eye.
It s nice to have Ukraine have scored
in darkest Kiev, the clock ticks on.
We watch the drama of life unfold:
red offences, homer ref,
goal-line punts, theatrical dives.
He was thirteen, and had all his teeth.
A last minute penalty bulges the net,
she asks the barstaff to call her a cab.
Ian thinks at first she said Son.
He may have misheard, the time is loud.
Scotland are passing out, we re done.
I always fed him chicken and veg,
dog food s crap. Scotland are mince.
Big Screen
I ask you if it s alright if I go ten minutes early
because we re playing Germany tonight
in a make-or-break qualifier
and I d like to make the Big Screen kick-off
in the Big Screen kick-off pub
with a big selection of beers on tap,
and you say Of course son
and I hope your team wins
and I ll see you tomorrow.
And Scotland are losing and the pub is full
of people I ll eventually never see again
and the screen is veiled by slow grey smoke
and a laughing German
is escorted from the premises,
and it s all increasingly small
and I can t really make you out
as I think of you alone in your head
and I wish I could have those ten minutes back.
The Warrior Race on Bath Street
first a girl on
boy s back
out
of their heads
laughing glass
smashing five or six
piling in
with fists boots charging
up the hill not seeing
the shoppers
hiding
against the walls of
banks lawyers bistros
the zenith
of civilisation
letting them
steam past booting
roaring throwing
each other to
the road stamping
one face
as it melts in the centre
the vortex
people
silent behind
their two-way mirror watching
a primal fury
take shape letting
them get on with it